“Black and Blue,” released in 1976, stands as one of the most intriguing and stylistically diverse albums by The Rolling Stones. Known for their ability to evolve and experiment, the band used this album as a transitional work, introducing new guitarist Ronnie Wood – though he played on only three tracks – while exploring various musical genres. The album was more of an audition for Mick Taylor’s replacement with Wayne Perkins, Harvey Mandel, Peter Frampton, Rory Gallagher, Jeff Beck, Shuggie Otis, Steve Marriott, and the aforementioned Ron Wood, among those who recorded with the band. However, aside from Perkins, Mandel, and Wood’s contributions, the rest remains unreleased and available only on bootlegs. Although it received mixed reviews at its release, “Black and Blue” has gained an appreciation for its eclectic mix of rock, reggae, funk, and ballads over the years.
Track-by-Track Analysis
“Hot Stuff”
The album opens with “Hot Stuff,” a funky, danceable track that immediately sets the tone for the band’s willingness to experiment. Driven by a heavy bassline and punctuated by Mick Jagger’s rhythmic vocals, the song showcases The Rolling Stones’ ability to integrate funk influences into their rock sound. The guitar work shared between Keith Richards and Harvey Mandel is sharp and vibrant, blending seamlessly with the groove. Popular in the dance clubs of the day, the song even incorporates some rap into its sound.
“Hand of Fate”
“Hand of Fate” returns to a more traditional rock feel, featuring a compelling storyline about a man on the run. The track is characterized by its straightforward, punchy guitar riffs, a memorable solo by Wayne Perkins, and a powerful vocal performance by Jagger with brilliant lyrics like ‘Cause my sweet girl was once his wife/And he had papers that the judge had signed/The wind blew hard, it was a stormy night/He shot me once, but I shot him twice.’ One can picture the shadowy Robert Johnson approving those lyrics. The track is a reminder of the band’s roots in blues and rock while still incorporating a contemporary edge.
“Cherry Oh Baby”
The Stones’ venture into reggae with “Cherry Oh Baby” is a testament to their versatility. Originally a hit by Eric Donaldson, the band’s rendition retains the laid-back, syncopated rhythm typical of reggae but infuses it with their distinctive style. Although one of the weaker tracks on the album, Jagger’s relaxed vocal delivery and the band’s tight instrumental performance highlight their ability to adapt to different genres.
“Memory Motel”
One of the standout tracks on the album, “Memory Motel,” is a poignant ballad that showcases the band’s softer side. The song features both Jagger and Richards on vocals, adding a unique dynamic to the storytelling. The piano-driven melody and reflective lyrics create a sense of nostalgia, world-weariness, and longing, making it one of the most emotionally resonant tracks on the album. For many, this and “Hand of Fate” are the crown jewels of “Black and Blue.”
“Hey Negrita”
“Hey Negrita” brings back the funk with a Latin-inspired groove and infectious rhythm. The interplay between the percussion and guitar creates a vibrant, danceable track that highlights the band’s experimental spirit. Jagger’s energetic vocal performance and the song’s lively arrangement make it a memorable addition to the album.
“Melody”
Featuring Billy Preston on keyboards, “Melody” is a jazz-infused track with a relaxed, laid-back feel. Preston’s piano work anchors the song’s groove, while Jagger’s vocals add a bluesy touch. The interplay between the instruments and the smooth, flowing arrangement demonstrates the band’s ability to blend different musical influences seamlessly. However, to this reviewer’s ears, “Melody,” like “Cherry Oh Baby” and “Fool to Cry,” are best left off the album and have them show up later on one of those previously unreleased compilations.
“Fool to Cry”
A soulful but boring ballad, “Fool to Cry,” is driven by Jagger’s heartfelt vocal delivery and emotive lyrics. The song features a delicate balance between piano, strings, and guitar, creating a lush, atmospheric sound. It stands out as one of the more introspective tracks on the album, highlighting the band’s versatility and emotional depth.
“Crazy Mama”
The album closes with “Crazy Mama,” a rock and roll track that brings the energy back up. The song’s driving rhythm, catchy guitar riffs, and spirited vocals capture the essence of The Rolling Stones’ classic rock sound. It’s a fitting end to an album that explores various musical styles while staying true to the band’s roots.
Reception and Legacy
Upon its release, “Black and Blue” received mixed reviews. Some critics praised the band’s experimentation, while others were less impressed by the eclectic mix of styles. However, the album has gained recognition over time for its adventurous spirit and the band’s willingness to step outside their comfort zone.
“Black and Blue” holds a unique place in The Rolling Stones’ discography as a transitional album that bridges their early rock and blues influences with the diverse musical directions they would explore in the future. It captures a band in the process of exploring new sounds and unafraid to take risks and push their boundaries.
John Berkovich Talks 